The thing is, it wasn't the
magnificent writing style of J.D. Salinger, or the original yet complex coming
of age plot that had me hooked, but rather the characterization and resulting
narration of the protagonist, Holden Caulfield. Maybe it was because Salinger
had used himself for the character’s mold, or maybe it was because I had spent
my summer reading mind-numbing chick-lits, but somehow I had found a dynamic in
the character of Holden that I had never found in a character before: desperation. The
candidness of the narrator spoke to me in ways that no other novel ever had. Through
the means of Holden Caulfield, Salinger puts on a page the words that so many are
afraid to express themselves: the desire to run away, the distaste of everyone
around you, the disturbance of feeling like a prisoner in your own body. It was
so clear to me that Holden was trying so hard to grasp at some sense of
happiness that he lost his footing all together. The display of his steady
downfall was heartbreaking, humbling, and most of all, honest.
Once I read Holden's struggles it was like all these other characters were insignificant, like their simplicity and boldness were too outright and mainstream. I started to search for something that could give me a connection to, hope for, sympathy towards, anything like the experience that was mine while reading Catcher in the Rye. I found myself throwing down easy reads for something with more substance. In the most frustrating way, Holden Caulfield has taught me to desire good literature in ways that none of my English teachers ever could.
My peers can criticize the snobbishness of him all they want, and my English teacher can say that Holden’s “the biggest phony of them all” until he’s blue in the face, but one thing remains certain; in my mind, Holden Caulfield is the greatest flaw to have ever graced the pages of American literature.
Once I read Holden's struggles it was like all these other characters were insignificant, like their simplicity and boldness were too outright and mainstream. I started to search for something that could give me a connection to, hope for, sympathy towards, anything like the experience that was mine while reading Catcher in the Rye. I found myself throwing down easy reads for something with more substance. In the most frustrating way, Holden Caulfield has taught me to desire good literature in ways that none of my English teachers ever could.
My peers can criticize the snobbishness of him all they want, and my English teacher can say that Holden’s “the biggest phony of them all” until he’s blue in the face, but one thing remains certain; in my mind, Holden Caulfield is the greatest flaw to have ever graced the pages of American literature.
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